Fine Gael TD for Donegal North East, Joe Mc Hugh, has launched an astonishing attack on the leaders of France and Germany.Mr McHugh said that the image of Angela Merkel and Nicolas Sarkozy supposedly running the show in Europe is not helping to the public’s perception of how the EU is involved in our affairs.Deputy McHugh said: “Irish people have been bombarded in recent weeks and months by television images of the French and German leaders heading up crisis meetings on the eurozone. “One would be forgiven for thinking that they are calling all the shots, but the reality is that all members of the European Union enjoy common status.“Europe has provided, and continues to provide, a huge amount of support to Ireland. As a result, the ECB and the European Commission play a major role in our affairs. But this isn’t a one way street.“Significant progress has been made by An Taoiseach, Enda Kenny, and the Minister for Finance, Michael Noonan, at renegotiating the EU/IMF deal. These discussions are ongoing, and I believe they will continue to deliver better results for Ireland.”The Donegal TD added: “Ireland is working with our European partners, and this work and the relationships that Ireland has built across Europe are vital in securing our return to prosperity. But the principle of multilateralism is weakened in the public mind by daily images of the Merkozy duet apparently running the show. “Irish people are understandably dismayed at the repayment of Anglo bonds and a certain level of euro scepticism is not surprising. But the reality is Ireland needs to continue to work with our European counterparts. This will be to our long term benefit. Communicating this message to the public is a challenge, and I believe that the perception that the management of the eurozone is the preserve of two political figureheads is not making this process any easier.”McHUGH’S ASTONISHING ATTACK ON EUROPEAN LEADERS was last modified: November 3rd, 2011 by BrendaShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window) Tags:donegal north eastEUJoe McHugh
Record SFX (Wild Takes) On SetWild takes are sound effects recorded on set without dialogue. If cameras aren’t rolling (and if you can convince the crew to be quiet) you should try to record some on set SFX. They can be as simple as an actor’s footsteps or the clashing of dishes, doors, or machinery.The goal is to capture the sounds that could be difficult to find in a SFX library. While we may have hundreds of thousands of SFX here on PremiumBeat, you may not find the exact sound to the exact time you need. For example, if you are shooting a scene with an old car, it’s best to record real engine sounds to keep the sound as authentic as possible.Something to keep in mind: you don’t need to turn up the gain to capture all these SFX. Since they will become layers in post, you’ll want to keep them accurate to the levels you’d hear on set. So if footsteps are quiet and slightly registering on your recorder, that’s ok. Try to record each SFX in a few different ways, including different microphone angles, positions, and distances.Pro Tip: Announce each action as soon as you hit record and before you start performing. That way you can easily keep track of each different sound effect.Make sure you check out the rest of the Indie Film Sound Guide episodes. There you will learn about working with everything you’ve recorded in post. Also, be sure to subscribe to The Film Look’s YouTube channel for weekly tips and tricks on filmmaking, video production, and post-production.Do you know other indie filmmaking tips for capturing audio? Let us know in the comments. Setting Audio Levels and Capturing Room ToneThe loudness of actors and actions differs in every take. Make sure audio levels don’t peak, and leave some room for any unexpected loud noises or increases in conversational volume.In this episode, you’ll hear the audio clip when one character shouts. Be sure to lower the gain while recording dialogue. Also, be sure to capture about two minutes of room tone to help avoid unnatural silence. This ambient noise makes conversations sound more realistic, and it can cover up hard edits. (If you forgot to capture room tone, check out our pack of 15 free ambient noise tracks). Learn how to properly record audio on set with a traditional boom mic setup.All images via The Film Look.Here in the PremiumBeat office, we’re big fans of The Film Look — a YouTube channel dedicated to showing you how to make better films and videos (with new episodes every week).We recently teamed up with The Film Look to bring you a series of tutorials on capturing better sound for your videos. The eight-part series will cover a ton of different audio recording and mixing topics, with plenty of tips and tricks for you to learn along the way.In the first five episodes, you will learn how to work with audio on set. Then the series will shift focus to working with audio in post-production.You’ll quickly see that it’s not about having the right gear — it’s about knowing how to properly use audio equipment. The audio kit used in the series is the basic setup for indie films and corporate video productions — a shotgun mic, boom pole, audio recorder, and headphones. There are also tips on recording with smartphones and on-camera microphones for those without this setup. (You can piece together a professional boom mic kit for around $500.)Microphone Position Is KeyThe position of your microphone is crucial to a quality recording. In the first episode, you’ll hear the difference between a smartphone recorder and a shotgun mic — but there’s a twist.The smartphone audio was better in the first take because the shotgun microphone was too far away. To get better audio, place a shotgun microphone over the head of your speaking subject.If you are on a windy set, try positioning the microphone underneath the subject, or for the best results combine that with a dead cat or blimp.When it comes time to record, limit the movement of your hands. Use your arms and shoulders to reposition the microphone to avoid making noise. There are also some great tips in the video about the best ways to grip a boom mic.Capturing Dialogue Is Your First PriorityThe highest priority when recording a film or video is dialogue. Noises or sound effects are easier to recreate in post — or to draw from an SFX library.While on the topic of noises, if you detect any outside noise on set — like a plane, train, or automobile — be sure to bring it up if recording has not yet started. If you are already rolling, finish the take, and then mention any need for another take.Before shooting, make sure the camera crew (specifically the 2nd AC if you have one) uses a clapper board to mark the take. This will help tremendously when editing and mixing the project in post.Minimize Unwanted NoiseYou can silence the set as much as possible to eliminate unnecessary ambient noise, but that doesn’t always prevent unwanted sounds. Episode three dives into separating dialogue from any noise the actors make on set.If there is a loud action, like placing a glass mug on a glass saucer, you can eliminate the noise with some simple camera tricks and foley work.
As the film industry continues to grow, indie film festivals are becoming essential for up-and-coming filmmakers.Cover image via D Magazine (Bret Redman).Indie film festivals — historically fringe territory for filmmakers outside of the mainstream — are now becoming a hotbed for up-and-coming filmmakers looking to develop their craft, make connections, and launch their brands.Using the Oak Cliff Film Festival, a fast-growing indie fest hosted around the historic Texas Theatre in Dallas, Texas, as an example, let’s explore how filmmakers are using these festivals for everything from audience testing, to networking opportunities, to even de facto theatrical runs.Filmmaking ConnectionsImage via D Magazine (Bret Redman).Film festivals, at their core, bring people together to watch films. Quite a concept, I know, but as films are gradually moving away from theaters and toward online streaming, finding opportunities to sit, watch a film, and chat with other enthusiasts at real screenings are becoming more rare.The indie film industry is built on collaboration. If you’re not actively involved with a community and helping friends on their projects (as much as others help you on yours), film festivals are the perfect place to meet some fellow contributors.Test Audience ReactionsDavid Lowery screening A Ghost Story for audiences at the OCFF — image via Clayton Browning.Indie films, unlike the majority of their blockbuster counterparts, do not often get the luxury of multiple rounds of audience test screenings. Instead, indie filmmakers most often rely on screenings for feedback and audience reactions.Film festivals are a great place for filmmakers to screen a project for hundreds of people, whom they can actively engage before and after. It’s not uncommon for films to go through a festival run only to get re-cut (or sometimes even re-shot) based on critical feedback from crowds.The Allure of LaurelsDirectors Julia Halperin and Jason Cortlund winning the Narrative Feature — Grand Jury Prize for their film La Barracuda — image via OCFF.While this may be a point of contention, screening at film festivals puts your film in front of new people, and it brings your project a stamp of approval.In addition to laurels for screening, film festivals give out plenty of awards for achievements in everything from directing, to cinematography, to breakout performances. Many even include cash prizes or sponsorships.De Facto Theatrical RunsImage via OCFF.In many cases, films that screen at indie film festivals may very well be the local public’s only opportunity to see these movies on the big screen. While some may go on to major theatrical runs, the majority will screen sporadically in select cities before finding a home online — whether it’s through Netflix, Amazon, or some more indie-focused online channel.For films caught between major theatrical runs and their pending online VOD distribution, a tour of indie film festivals across the country becomes the de facto theatrical release, which offers one-off chances for fans to see the film and engage with other fans and the filmmakers.Community EngagementEric Hatch speaking at the OCFF awards ceremony at Small Brewpub in Oak Cliff.Film festivals also give filmmakers a chance to engage with local communities and develop connections. Festivals usually have deep roots in the communities that host them. From outdoor screenings, to daytime workshops, to trips to nearby restaurants — attending film festivals gives filmmakers a great opportunity to engage the community and the filmmakers who support it.For a full recap of the 2017 Oak Cliff Film Festival, you can go to their website or Facebook page — or check out their video recap below. What are your thoughts on the indie film festival scene? Let us know in the comments.
Frontrow holds fun run to raise funds for young cancer patients Typhoon Kammuri accelerates, gains strength en route to PH MOST READ BSP sees higher prices in November, but expects stronger peso, low rice costs to put up fight Great push for Philippine boxing Brace for potentially devastating typhoon approaching PH – NDRRMC Trending Articles PLAY LIST 00:50Trending Articles02:49World-class track facilities installed at NCC for SEA Games01:30Eriksson’s ‘Azkals’ put Philippines on Asian Cup map01:37Protesters burn down Iran consulate in Najaf01:47Panelo casts doubts on Robredo’s drug war ‘discoveries’01:29Police teams find crossbows, bows in HK university01:35Panelo suggests discounted SEA Games tickets for students02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games Nonong Araneta re-elected as PFF president With Tajikistan hosting Nepal in Dushanbe in the other Group F encounter, the Azkals are hard-pressed to gain maximum points against the Yemenis, who held the Filipinos to a 2-2 draw in Bacolod last Sept. 5.Strife-torn Yemen, two points behind the Philippines, plays its home matches in Doha due to security concerns.FEATURED STORIESSPORTSWATCH: Drones light up sky in final leg of SEA Games torch runSPORTSSEA Games: Philippines picks up 1st win in men’s water poloSPORTSMalditas save PH from shutout“If we tie, we still have two chances to qualify,” said Azkals coach Thomas Dooley. LATEST STORIES Fire hits houses in Mandaluyong City Don’t miss out on the latest news and information. The Philippines tries to inch closer to an AFC Asian Cup berth when it clashes with Yemen on Tuesday in Qatar.Currently on top of Group F with seven points, the Azkals are gunning for their third victory in the qualifying round that will give them the inside track in the race for the two Asian Cup spots at stake in the group.ADVERTISEMENT Kammuri turning to super typhoon less likely but possible — Pagasa LOOK: Loisa Andalio, Ronnie Alonte unwind in Amanpulo for 3rd anniversary Read Next View comments
Chris Gayle smashed a blistering unbeaten 75 as West Indies stormed into their maiden ICC World T20 final with a crushing 74-run victory over a listless Australia at the R Premadasa Stadium in Colombo on Friday. Score Opting to bat, Gayle literally butchered the Australian bowlers with a 41-ball 75-run innings as West Indies notched up 205 for four, which incidentally is the highest total of this edition.The Caribbean team then returned to skittle out Australia for a paltry 131 with 3.2 overs to spare to set up a summit clash with Sri Lanka on Sunday.Australian skipper George Bailey did put up a fight with a 29-ball 63, which was laced with six fours and four sixes but he was let down by the other batsmen, who returned to the pavilion without much to show.Leg-break bowler Samuel Badree (2/27) removed openers David Warner (1) and Shane Watson (7) in his first three overs, while Marlon Samuels got rid of Mike Hussey (18) as Australia were tottering at 42 for three after the six overs of Powerplay ended.Ravi Rampaul then removed Cameron White (5) and David Hussey (0) within a space of three deliveries to make it 42 for five.On a strip where Gayle and Co made batting look easy, the Australians were all at sea. Both Watson and Warner tried to play shots which can’t be played when the ball keeps low while Mike Hussey was consumed by the slowness of the track.David Hussey was rusty and others simply didn’t have it in them to put up a fight.Earlier, Gayle hit five fours and half a dozen of towering sixes as West Indies made a mockery of Aussie attack.Marlon Samuels with 26, Dwayne Bravo with a 31-ball-37 and last but not the least Kieron Pollard (38, 15 balls, 3×4, 3×6) also matched Gayle stroke for stroke to help West Indies cross the 200-mark. Left-arm spinner Xavier Doherty, who had looked unplayable on the same track during Super Eights, was hammered for 48 runs in his three overs including 25 from the final one which had four sixes. Half of the 14 sixes in West Indies innings were hit off Doherty’s bowling.Teams have often complained about the Premadasa track and difficulty in stroke-making but Gayle showed that if you have brute power, then nature of pitches become irrelevant.The decision to promote Marlon Samuels up the order also partially paid off as he didn’t take much time to settle down before he started tonking the bowlers.Samuels during his brief stay smashed 26 off 20 balls including a six each off left-arm spin duo of Doherty and Brad Hogg. He was deceived by a slower delivery from Pat Cummins, which send him back to the dug-out.Gayle-Samuels had put on 41 runs in only 4.3 overs in which Samuels was the dominant partner.Gayle, on the otherhand, hit his first six off Shane Watson over long-off and the second one came off Doherty’s bowling as it went sailing into the deep mid-wicket stand.The third six off Doherty was another straight one but the standout one certainly was the fourth six hit of David Hussey’s bowling. The ball just soared into the upper tier in the deep mid-wicket region.Bravo, on the otherhand, had settled down nicely as he first chanced his arms against Watson hitting over long on boundary and then pulled a short one from Hogg over mid-wicket region for another six. The 100 came up in the 12.5 overs and the 50 partnership off 35 balls.The big-bodied Jamaican completed his third half century of the tournament of 29 deliveries when he hit a boundary off David Hussey.Bravo lifted Cummins for his third six but perished immediately when he failed to get elevation of a fuller delivery from the bowler and was caught at the edge of the 30-yard circle.Gayle-Bravo conjured 83 runs in less than nine overs but more importantly nullified the two left-arm spinners attacking them with great gutso. When Bravo was out, West Indies had reached 140 and a commendable total was just there in sight.advertisement
The pain of whiplash may not appear right away after an accident, but sometimes may take hours to weeks to develop. Symptoms include dizziness, headache, pain or stiffness in the neck, jaw, shoulders, or arms.Review Date:6/4/2011Reviewed By:Linda J. Vorvick, MD, Medical Director, MEDEX Northwest Division of Physician Assistant Studies, University of Washington School of Medicine; and C. Benjamin Ma, MD, Assistant Professor, Chief Sports Medicine and Shoulder Service, UCSF Dept. of Orthopaedic Surgery. Also reviewed by David Zieve, MD, MHA, Medical Director, A.D.A.M., Inc.
TagsTransfersAbout the authorPaul VegasShare the loveHave your say Zenit midfielder Leandro Paredes agrees Chelsea contract termsby Paul Vegas9 months agoSend to a friendShare the loveZenit St Petersburg midfielder Leandro Paredes has agreed terms, it has been revealed.Chelsea boss Maurizio Sarri, after victory over Newcastle United on Saturday, declared he wanted to see a replacement for Cesc Fabregas after his departure for AS Monaco.Gazzetta dello Sport says Paredes has been lined up by the Blues and already settled personal terms.Now Chelsea must reach an agreement with Zenit over a fee for the Argentine.An opening offer of £27m has already been lodged.
Neither star actor Samuel L. Jackson nor country musician Luke Bryan actually attended the University of Georgia, but they’re both still huge Bulldogs fans. Usually, they both show their support when the football team has a big game on the gridiron. This week, obviously, they’re all in on a different Bulldogs team. Both have sent Twitter videos to basketball head coach Mark Fox ahead of the team’s game against Michigan State in this year’s NCAA Tournament. Check them out:The Dawgs are Dancing, and so is the DawgNation! @SamuelLJackson pic.twitter.com/oX3lpVs5kG— Mark Fox (@coachmarkfox) March 16, 2015The Dawgs are Dancing, and so is the DawgNation! @LukeBryanOnline pic.twitter.com/5EYj3mdd9t— Mark Fox (@coachmarkfox) March 16, 2015The Bulldogs and Spartans tip off Friday at 12:30 PM EST. It’s safe to assume that these guys will be watching.
LONGUEUIL, Que. — Canada Post has issued a pair of commemorative stamps to mark the 50th anniversary of the Apollo 11 mission that landed humans on the moon for the first time — highlighting the Canadian minds and technology that made it happen safely.Neil Armstrong’s first steps on July 20, 1969 were watched by half a billion people worldwide and became a well-known milestone in human space exploration.But Canadian engineers working for NASA played a big part in the mission, including Jim Chamberlin, the first to realize first that flying directly to the moon wasn’t the best option. He would help develop the lunar orbit rendezvous — which involved descending to the surface aboard a landing module connected to the main spacecraft.Owen Maynard, one of Canada’s top aircraft engineers, sketched early designs of the command module used in Apollo and is credited as the person at NASA most responsible for the lunar lander.And a company based in Longueuil, Que., Heroux-Devtek, built the landing gear components for the lunar module, which technically were the first thing to touch the ground. They remain on the moon to this day at the Apollo 11 landing site.Sons of both Canadian engineers were on hand for the unveiling at a Heroux-Devtek plant today, alongside Gov. Gen. Julie Payette and dozens of collectors looking to snag the new stamp.The Canadian Press